Dear Fellow Indians,
Last few days have been quite eventful,thanks to a completely avoidable silly tweet of mine. Being a celebrated actor whose each and every action impact a billion people, I should have been much more responsible while comparing my physical pain with one off a rape victim. I do believe that no pain in the world can even be close to the physical and mental trauma of a rape victim. My sincere apologies to one and all for my casual and irresponsible remark.
Kindly forgive and forget.
Meanwhile, I also do apologise on behalf of my silly fans and supporters, for making ridiculous statements, just to be on my side. Also I should have apologized immediately as soon as the issue blew out of proportion. But as you know, the “Boy” in me had been pushing me towards plenty of irresponsible acts (even in the past). It also disallows me to crush my inflated ego and delays any realisation. Looks like my journey from being a “Boy” to a “Man” is never-ending.
But trust me, it’s not only me at fault. Men across ages and regions do funnily and casually refer to “rape” in their daily conversations without realising the gravity of it. I am just “Being Human” and one of them, though with lakhs of followers. Also I wish, an equivocal protest and action should had been taken against Politicians for making similar irresponsible statements in the past. Being administrators and leaders, they hold larger responsibility and have farther impact of their preposterous statements, thus stricter action. But as always,we from the Film Industry have always been the soft targets.
Also I hope, News channels could do more fact-finding news reports for their prime-time slots than debating a silly tweet of mine. Or I am unaware, if all the other issues of common men have been resolved.
Nevertheless, nothing justifies my inhumane tweet. Will be more careful next time.
(I just hope the real Salman Khan, copy-pastes it, owns the mistake and readily uses this Apology Letter to resolve the controversy.)
I am pretty sure, that not many would have heard of this Hindi movie “Halo” ! Instead many would relate Halo with a video game. Meanwhile, Halo movie, directed by Santosh Sivan (a genius cinematographer), won National award for the “Best Children’s Movie”, yet went unnoticed by the mainstream audiences. This 1996 movie, now rarely gets featured on TV (only on DD National), is stitched to my memory, frame by frame. Halo , now very close to my heart, inspires me every-time. The movie allows me to relive the childlike goodness, we all used to once possess.
The movie is about a young girl “Sasha”, who finds herself lonely after her mother’s death. To her rescue, comes a dog “Halo”, who becomes her God-sent best-friend. Her life now revolves around it. She sleeps, she drinks, she eats with it. But one day, she finds Halo missing, and here starts her quest to find Halo. In the backdrop of Hindu-Muslim riots in Mumbai, and with the help of weird friends and supporting characters, the movie depicts Sasha’s brave and spirited pursuit of finding Halo, her ultimate happiness.
Although, stuck in old-times, story-telling may test your patience, but I will still recommend it to everyone, especially kids. Again, rather saying much, one should watch it to experience it, though I am sure that it will touch hidden chords of one’s stoned heart.
Hi Shobha ji,
Your desperate attempt to bring spotlight to your not-so-read film reviews has worked. Several pro and anti tweets on your article in Mumbai Mirror, itched me to read your article in detail.
The article clearly suggests that you know very little about India, and especially about hinterlands of India. Sitting in Mumbai, when a Socialite comments on India, it sounds so wannabe. It reminds me of a dialogue from a movie “Bas itna sa khwab hai” in which Abhishek Bachchan is asked about his village, and he proudly says, that he is from Banaras, which is a City. And the Mumbaikars respond – “Mumbai ke bahar sab Gaaon !”
Well, as far as Raanjhanna goes, the movie depicts how life functions in hinterlands of India, and not about how it should be. Also, considering your urbane backdrop, you weren’t the target segment of the movie, to comment on it.
Raanjhanna is about true love muscled up by caste creed religion politics and social stigmas,including education and societal status. Movie talks about Dhanush’s love banaras style, and also Abhay Deol and Sonam’s love in metro style. So let not allow ourselves to comment so pragmatically on anybody’s cultural and educational background.
Although I would agree with your review about sluggish second half of the movie. But as you would also agree on Dhanush’s super acting, brilliant screenplay and Rehman’s score.